Below satisfactory
Cubism: Portraits
1
-
Annotations
-
1
Annotation 1
Experiments with some of the conventions of analytical cubism
1
2
-
Annotations
-
1
Annotation 1
Draws a face divided into shapes using a graphite pencil -
2
Annotation 2
Makes a preparatory drawing to develop into a synthetic cubist portrait
1
2
-
Annotations
-
1
Annotation 1
Completes a self-portrait against an illustrative background using pastels and watercolour paint -
2
Annotation 2
Uses bold colour and some distortion as a convention of synthetic cubism in their own artwork
1
2
3
-
Annotations
-
1
Annotation 1
Identifies a historical style and expresses appreciation for the use of colour -
2
Annotation 2
States some of the ways ideas are represented in cubism -
3
Annotation 3
Outlines a process used for completing an artwork in a cubist style
Satisfactory
Cubism: Portraits
1
-
Annotations
-
1
Annotation 1
Experiments with some of the conventions of analytical cubism
1
2
-
Annotations
-
1
Annotation 1
Demonstrates an understanding of a preparatory drawing for a synthetic cubist portrait -
2
Annotation 2
Explores the technique of abstraction and distortion through a graphite pencil drawing
1
2
-
Annotations
-
1
Annotation 1
Understands and uses flat bold colour as a convention of synthetic cubism in their own artwork -
2
Annotation 2
Completes a self-portrait with elements of synthetic cubism against a decorative background using pastels and watercolour paint
1
2
3
4
-
Annotations
-
1
Annotation 1
Identifies a historical style and expresses appreciation for the use of colour -
2
Annotation 2
Understands how ideas are represented in synthetic cubism -
3
Annotation 3
Understands processes used for completing an artwork in a cubist style -
4
Annotation 4
Describes intentions to display the artwork and reflects on its effect
Above satisfactory
Cubism: Portraits
1
2
-
Annotations
-
1
Annotation 1
Annotates drawings to make comparisons between analytical and synthetic cubism -
2
Annotation 2
Experiments with the conventions of both analytical and synthetic cubism
1
2
-
Annotations
-
1
Annotation 1
Demonstrates an understanding of some of the detail required in a preparatory drawing for an analytical cubist portrait -
2
Annotation 2
Explores the technique of abstraction and distortion through a graphite pencil drawing
1
2
-
Annotations
-
1
Annotation 1
Completes a self-portrait by applying techniques such as abstraction and distortion with an awareness of style -
2
Annotation 2
Selects appropriate media to create shape and depth using shading and warm and cool colours
1
2
3
4
-
Annotations
-
1
Annotation 1
Identifies a historical style and identifies the visual conventions in the artworks -
2
Annotation 2
Understands how ideas are represented by a range of techniques in analytical cubism -
3
Annotation 3
Understands and demonstrates processes used for completing an artwork in an analytical cubist style -
4
Annotation 4
Reflects on ways to improve the artwork before it is displayed, and identifies intention
Below satisfactory
Cubism: Portraits
1
-
Annotations
-
1
Annotation 1
Experiments with some of the conventions of analytical cubism
1
2
-
Annotations
-
1
Annotation 1
Draws a face divided into shapes using a graphite pencil -
2
Annotation 2
Makes a preparatory drawing to develop into a synthetic cubist portrait
1
2
-
Annotations
-
1
Annotation 1
Completes a self-portrait against an illustrative background using pastels and watercolour paint -
2
Annotation 2
Uses bold colour and some distortion as a convention of synthetic cubism in their own artwork
1
2
3
-
Annotations
-
1
Annotation 1
Identifies a historical style and expresses appreciation for the use of colour -
2
Annotation 2
States some of the ways ideas are represented in cubism -
3
Annotation 3
Outlines a process used for completing an artwork in a cubist style